Samson and Delilah
Anthony van Dyck · 1630
Sir Anthony van Dyck
Spanish Netherlands · 1599–1641
Sir Anthony van Dyck was a Flemish Baroque artist, who became the leading court painter in England after success in the Spanish Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy silk merchant in Antwerp, Anthony painted from an early age. He was successful as an independent painter in his late teens and became a master in the Guild of Saint Luke of Antwerp on 18 October 1617. By this time, he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa.
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Play CollectionKnown works
Landscape
Anthony van Dyck · 1640
Getty Center
Drunken Silenus
Anthony van Dyck · 1619
Pushkin Museum
Portrait of an unknown Genoese woman, 1622-1623
Anthony van Dyck · 1623
Kelvingrove Art Gallery and Museum
Portrait of Anne Killigrew (1607-1641), wife of George Kirke
Anthony van Dyck · 1637
Huntington Library, Art Museum and Botanical Gardens
Jupiter and Antiope
Anthony van Dyck · 1620
Jupiter and Antiope is a series of two similar oil-on-canvas paintings by the late Baroque Flemish painter Anthony van Dyck, from c. One painting is in the collection of the Museum of Fine Arts, Ghent; the other in the Wallraf-Richartz Museum, Cologne.
The Vision of the Blessed Hermann Joseph
Anthony van Dyck · 1629
Kunsthistorisches Museum
The Vision of the Blessed Hermann Joseph, or The Mystical Engagement of the Blessed Hermann Joseph to the Virgin Mary, is a 1629 to 1630 painting by the Flemish Baroque painter Anthony van Dyck. The painting depicts Hermann Joseph (c. 1150 to 1241), a Premonstratensian canon and priest from the Cologne region.
Coronation of Saint Rosalia
Anthony van Dyck · 1629
Kunsthistorisches Museum
The Coronation of Saint Rosalia or Madonna and Child with Saints Rosalia, Peter and Paul is an oil on canvas painting made by Anthony van Dyck in 1629. It and the compositionally similar The Vision of the Blessed Hermann Joseph (1630) were both painted for the chapel of the Fraternity of the senior bachelors (Sodaliteit van de Bejaerde Jongmans in Flemish) in Antwerp's Jesuit church, then named the Saint Ignatius Church but later renamed the St. Charles Borromeo Church.
Portrait of Mary Hill, Lady Killigrew
Anthony van Dyck · 1638
Tate Britain
Portrait of Mary Hill, Lady Killgrew is a 1638 Baroque portrait by the Flemish artist Anthony van Dyck. The portrait is twinned with another of the Lady's husband, William Killigrew. Mary Hill, from Honiley, Warwickshire was the wife of Sir William Killigrew, a courtier to King Charles I and later a noted playwright.
Madonna with Two Donors
Anthony van Dyck · 1630
Self-Portrait
Anthony van Dyck · 1620
The Betrayal of Christ (van Dyck, Madrid)
Anthony van Dyck · 1618
Portrait of Cardinal Guido Bentivoglio
Anthony van Dyck · 1623
More to discover
Rest on the Flight to Egypt
Anthony van Dyck · 1630
Saint Rosalie Interceding for the Plague-stricken of Palermo
Anthony van Dyck · 1624
Equestrian portrait of Francisco de Moncada
Anthony van Dyck · 1634
Portrait of Sir William Killigrew
Anthony van Dyck · 1638
Tate Britain
Sir William Killigrew is a 1638 Baroque portrait of Sir William Killigrew (1606 to 1695) by the Flemish artist Anthony van Dyck. The portrait is twinned with another of his wife, Mary Hill. The portrait is dated 1638, a time when Sir William Killigrew was involved with partners in an attempt to drain the Lincolnshire fens, an immensely expensive undertaking which caused the family great economic distress, but which did not prevent their commissioning a set of husband and wife portraits.
Portrait of Lady Theresa Shirley
Anthony van Dyck · 1622
The Portrait of Lady Shirley is a 1622 painting by Sir Anthony van Dyck, a Flemish Baroque artist. It is a portrait of Teresa Sampsonia (1589 to 1668), a Circassian noblewoman of the Safavid Empire of Iran. She was the wife of Elizabethan English adventurer Robert Shirley, whom she accompanied on his travels and embassies across Europe in the name of the Safavid King (Shah) Abbas the Great (r.
Self-portrait with Sir Endymion Porter
Anthony van Dyck · 1633
Self-portrait with Sir Endymion Porter is a self-portrait by Anthony van Dyck, showing him with his patron Sir Endymion Porter. The painting was produced in 1635 and measures 119 by 127 centimetres (47 in × 50 in). It is now in the Museo del Prado in Madrid, Spain.
Marchesa Elena Grimaldi Cattaneo
Dyck, Anthony van, Sir
National Gallery of Art
Philip, Lord Wharton
Dyck, Anthony van, Sir
National Gallery of Art
Catherine Howard, Lady d'Aubigny
Dyck, Anthony van, Sir
National Gallery of Art
Susanna Fourment and Her Daughter
Dyck, Anthony van, Sir
National Gallery of Art
Head of a Young Man
Dyck, Anthony van, Sir
National Gallery of Art
Sources
Invite Sir Anthony van Dyck into your living room
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