Gustave Caillebotte · 1878
France · 1848–1894
Gustave Caillebotte was a French painter who was a member and patron of the Impressionists, although he painted in a more realistic manner than many others in the group. Caillebotte was known for his early interest in photography as an art form. Because of his family's wealth, he was a patron of many of his fellow Impressionists. Upon his death, his bequeathed collection of their works became the central collection of Impressionism for the French Republic, despite considerable controversy. His most well known work is Paris Street; Rainy Day, known for qualities such as its mise-en-scène presentation.
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Gustave Caillebotte · 1880
Van Gogh Museum
Untitled
Gustave Caillebotte · 1888
Tel Aviv Museum of Art
Seascape, Trouville
Gustave Caillebotte · 1882
Tel Aviv Museum of Art
Paris Street; Rainy Day
Gustave Caillebotte · 1877
The Art Institute of Chicago
Paris Street; Rainy Day is a large Impressionist oil painting completed by French artist Gustave Caillebotte in 1877. The work portrays a scene of pedestrians in rainy weather crossing a boulevard intersection in the present-day Place de Dublin, a square in the eighth arrondissement of Paris. It is the best known of Caillebotte's several cityscapes linked to Paris's reconstruction under Napoleon III and Georges-Eugène Haussmann in the mid-19th century.
Les orangers
Gustave Caillebotte · 1878
Museum of Fine Arts, Houston
Les Orangers (English title: The Orange Trees) is an oil painting by French impressionist Gustave Caillebotte. The canvas measures 155 by 117 centimetres (61 in × 46 in). It was acquired by Audrey Jones Beck and was part of a collection that was on a long-term loan to the Museum of Fine Arts, Houston, before the collection was donated to the museum in 1999.
Les raboteurs de parquet
Gustave Caillebotte · 1875
Musée d'Orsay
Les raboteurs de parquet (English title: The Floor Scrapers) is an oil painting by French Impressionist Gustave Caillebotte. The canvas measures 102 by 146.5 centimetres (40.2 in × 57.7 in). It was originally given by Caillebotte's family in 1894 to the Musée du Luxembourg, then transferred to the Musée du Louvre in 1929.
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