Egon Schiele · 1915
Cisleithania · 1890–1918
Egon Leo Adolf Ludwig Schiele was an Austrian Expressionist painter. His work is noted for its intensity and its raw sexuality, and for the many self-portraits the artist produced, including nude self-portraits. The twisted body shapes and the expressive line that characterise Schiele's paintings and drawings mark the artist as an early exponent of Expressionism. Gustav Klimt, a figurative painter of the early 20th century, was a mentor to Schiele. == Biography == === Early life === Egon Leo Adolf Ludwig Schiele was born on 12 June 1890 in Tulln, Lower Austria.
Independent artist guide by Momentable. Biography from Wikipedia; artworks credited to the museums that hold them.
LIVENow streaming · Death and the MaidenA selection of 6 works, free to stream.
Death and the Maiden
Egon Schiele · 1915
Upper Belvedere
Houses on the River (The Old Town)
Egon Schiele · 1914
Thyssen-Bornemisza Museum
Portrait of Herbert Reiner
Egon Schiele · 1910
Upper Belvedere
The embrace
Egon Schiele · 1917
Upper Belvedere
Eduard Kosmack
Egon Schiele · 1910
Upper Belvedere
The Family
Egon Schiele · 1918
Upper Belvedere
2 of Egon Schiele's works, and what makes each one worth a look.
Death and the Maiden
Egon Schiele · 1915
Upper Belvedere
Death and the Maiden is an oil on canvas painting by the Austrian painter Egon Schiele from 1915. It is exhibited in the Österreichische Galerie Belvedere, in Vienna. Schiele initially named the large picture measuring 150 by 180 centimeters as Man and Girl and also Entwined People.
The Family
Egon Schiele · 1918
Upper Belvedere
The Family (in German, "Die Familie") was one of the last oil paintings made by Austrian painter Egon Schiele before he died of Spanish flu on 31 October 1918. The work measures 152.5 cm × 162.5 cm (60.0 in × 64.0 in) and is held by the Belvedere Gallery in Vienna. The painting was initially entitled Crouching Couple and depicted the artist and a woman, both squatting naked with knees raised.
From the record of their own practice.
Jane Kallir has described Schiele's work as grotesque, erotic, pornographic, or disturbing, with a focus on sex, death, and discovery. He focused on portraits of others as well as himself. In his later years, while he still worked often with nudes, they were done in a more realist fashion. From a young age, Schiele drew with "manic fluency". Art critic Martin Gayford wrote in The Spectator: Kallir and scholar Gerald Izenberg regard Schiele as fluid in sexuality and gender.
The museums that hold it, and their visitor guides.
Artists held by the same museums.

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View on MomentableIndependent guide by Momentable · biography from Wikipedia · artworks are in the public domain and credited to the museum that holds them