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El GrecoPublic domain

The Fable

El Greco · 1580

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El Greco

Greek · 1541–1614

Spanish RenaissanceMannerism

Doménikos Theotokópoulos, most widely known as El Greco, was a Greek painter, sculptor and architect of the Spanish Renaissance, regarded as one of the greatest artists of all time. El Greco was a nickname, and the artist normally signed his paintings with his full birth name in Greek letters often adding the word Κρής, which means "Cretan" in Ancient Greek.

Independent artist guide by Momentable. Biography from Wikipedia; artworks credited to the museums that hold them.

The FableLIVENow streaming · The Fable
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works in the archive
33works in the archive
life
1541–1614life
movement
Spanish Renaissancemovement

The work

A selection of 18 works, free to stream.

The Fable
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The Fable

El Greco · 1580

Museo del Prado

The Resurrection
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The Resurrection

El Greco · 1598

Museo del Prado

The Tears of Saint Peter
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The Tears of Saint Peter

El Greco · 1605

Museu Nacional d'Art de Catalunya

Mourning madonna
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Mourning madonna

El Greco · 1590

Thyssen-Bornemisza Museum

Fray Hortensio Félix Paravicino
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Fray Hortensio Félix Paravicino

El Greco · 1609

Museum of Fine Arts, Boston

The Immaculate Conception
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The Immaculate Conception

El Greco · 1611

Thyssen-Bornemisza Museum

Christ with the Cross
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Christ with the Cross

El Greco · 1590

Thyssen-Bornemisza Museum

The Annunciation
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The Annunciation

El Greco · 1598

Thyssen-Bornemisza Museum

The Holy Family with Mary Magdalen
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The Holy Family with Mary Magdalen

El Greco · 1610

Museo Soumaya

The Tears of St. Peter
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The Tears of St. Peter

El Greco · 1587

Museo Soumaya

Pentitent Mary Magdalen
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Pentitent Mary Magdalen

El Greco · 1585

Museu Nacional d'Art de Catalunya

The Agony in the Garden
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The Agony in the Garden

El Greco · 1590

Toledo Museum of Art

Adoration of the Shepherds
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Adoration of the Shepherds

El Greco · 1612

Museo del Prado

Saints Peter and Paul
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Saints Peter and Paul

El Greco · 1587

State Hermitage Museum

Adoration of the Magi with Camels
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Adoration of the Magi with Camels

El Greco · 1568

Museo Soumaya

The Nobleman with his Hand on his Chest
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The Nobleman with his Hand on his Chest

El Greco · 1580

Museo del Prado

Saint Peter and Saint Paul
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Saint Peter and Saint Paul

El Greco · 1595

Museu Nacional d'Art de Catalunya

Saint Ildefonso

El Greco

National Gallery of Art

Works worth knowing

10 of El Greco's works, and what makes each one worth a look.

The Fable
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The Fable

El Greco · 1580

Museo del Prado

The Fable (Spanish - La Fábula) is a 1580 allegorical painting by El Greco, produced early in his Toledan period and now in the Museo del Prado in Madrid. The light effects and use of colour show the influence of Jacopo Bassano, which the painter had picked up in Italy. It shows a monkey and a rogue flanking a boy blowing on an ember or taper.

The Resurrection
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The Resurrection

El Greco · 1598

Museo del Prado

The Doña María de Aragón Altarpiece was an altarpiece painted between 1596 and 1599 by El Greco for the chapel of the Colegio de la Encarnación (also known as the Colegio de doña María de Aragón) in Madrid. The college was secularised during Goya's lifetime and the altarpiece was dismantled. There has been much speculation over which paintings belonged to the work.

The Tears of Saint Peter
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The Tears of Saint Peter

El Greco · 1605

Museu Nacional d'Art de Catalunya

The Tears of Saint Peter is a c.1595 to 1600 oil on canvas painting signed doménikos theotokópolis (sic) e`poiei;. Now in the Museo Cau Ferrat in Sitges, it is similar to the El Greco Museum version. It is attributed to El Greco himself by Cossío, Mayer and Camón Aznar.

Fray Hortensio Félix Paravicino
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Fray Hortensio Félix Paravicino

El Greco · 1609

Museum of Fine Arts, Boston

Portrait of Fray Hortensio Félix Paravicino is a 1609 oil on canvas painting by El Greco, now in the Museum of Fine Arts, Boston. It shows Hortensio Félix Paravicino, a monk of the Trinitarian Order and major Spanish poet who was also a close friend of the painter. He is shown in the Trinitarian habit.

The Tears of St. Peter
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The Tears of St. Peter

El Greco · 1587

Museo Soumaya

The Tears of Saint Peter or Penitent Saint Peter is a c.1587 to 1596 painting by El Greco. It is similar to other works on the same subject by the artist, such as those in the Bowes Museum, the El Greco Museum, the national museum in Stockholm and others. This version seems to have belonged to the marqués de Legarda, who kept it in Vitoria.

Adoration of the Shepherds
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Adoration of the Shepherds

El Greco · 1612

Museo del Prado

The Adoration of the Shepherds is a painting of the traditional subject which was painted during the last year of El Greco's life. The painting is a work which the artist made to hang over his own tomb in the convent of Santo Domingo el Antiguo in Toledo. His signature, in Greek, may be seen in the lower left corner.

Saints Peter and Paul
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Saints Peter and Paul

El Greco · 1587

State Hermitage Museum

Saint Peter and Saint Paul is a 1587 to 1592 painting by El Greco, one of several versions of the theme by the artist - others are now in Barcelona and Stockholm. It shows the apostles Saint Peter and Saint Paul. The work was once shown on a stamp produced by the USSR.

Adoration of the Magi with Camels
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Adoration of the Magi with Camels

El Greco · 1568

Museo Soumaya

Adoration of the Magi refers to two oil on canvas paintings by El Greco, both probably painted in 1568 or 1569. One is in the Museo Soumaya in Mexico City and the other in the Museo Lázaro Galdiano in Madrid, referred to as X-2 and X-3 respectively in Harold Wethey's catalogue raisonné of the artist's work. This era of the artist's oeuvre synthesised the Byzantine, Venetian and Sienese traditions of painting and combined them with Counter-Reformation iconography, which would later become evident in Toledo.

How El Greco worked

From the record of their own practice.

The primacy of imagination and intuition over the subjective character of creation was a fundamental principle of El Greco's style. El Greco discarded classicist criteria such as measure and proportion. He believed that grace is the supreme quest of art, but the painter achieves grace only by managing to solve the most complex problems with ease. El Greco regarded color as the most important and the most ungovernable element of painting, and declared that color had primacy over form.

Where the work hangs

The museums that hold it, and their visitor guides.

If you like El Greco

Artists held by the same museums.

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Independent guide by Momentable · biography from Wikipedia · artworks are in the public domain and credited to the museum that holds them