Rembrandt van Rijn

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The Artist in his Studio is the title of an oil painting on panel created by Rembrandt in 1629. The Museum of Fine Arts in Boston, Massachusetts currently holds the painting. The painting depicts an artist standing on the left side of his studio, gazing at an easel on the right side of his studio.

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The Girl in a Picture Frame is a 1641 oil on panel painting by the Dutch artist Rembrandt. It is also known as The Jewish Bride and The Girl in a Hat. With The Scholar at the Lectern and Landscape with the Good Samaritan, it is one of three Rembrandt paintings in Polish collections.

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The Sacrifice of Isaac is a 1635 autograph oil on canvas work by Rembrandt, now in the Hermitage Museum. A copy of it dating to 1636 is now in the Alte Pinakothek in Munich.

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The Three Crosses is a 1653 print in etching and drypoint by the Dutch artist Rembrandt van Rijn, which depicts the crucifixion of Jesus Christ. Most of his prints are mainly in etching and this one is a drypoint with burin adjustments from the third state onwards. It is considered "one of the most dynamic prints ever made".

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Landscape with the Good Samaritan is a 1638 oil-on-oak-panel painting by Rembrandt. It is one of only six oil landscapes by the artist, and it is also one of only three Rembrandt paintings in Polish collections; the other two are The Girl in a Picture Frame and The Scholar at the Lectern. It illustrates the parable of the Good Samaritan from the Gospel of Luke.

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The painting Ahasveros and Haman at the Feast of Esther is one of the few works of Rembrandt van Rijn whose complete provenance is known. The origin of the painting can be traced back to 1662, two years after its completion. There are only three figures in the picture and the banquet is suggested sketchily.

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Militia Company of District II under the Command of Captain Frans Banninck Cocq, also known as The Shooting Company of Frans Banning Cocq and Willem van Ruytenburch, but commonly referred to as The Night Watch, is a 1642 painting by Rembrandt van Rijn. It is in the collection of the Amsterdam Museum but is prominently displayed in the Rijksmuseum as the best-known painting in its collection. The Night Watch is one of the most famous Dutch Golden Age paintings.

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The Return of the Prodigal Son is an oil painting by Rembrandt, part of the collection of the Hermitage Museum in St. Petersburg. It is among the Dutch master's final works, likely completed within two years of his death in 1669. Depicting the moment of the prodigal son's return to his father in the Biblical parable, it is a renowned work described by art historian Kenneth Clark as "a picture which those who have seen the original in St. Petersburg may be forgiven for claiming as the greatest picture ever painted".