Sir Anthony van Dyck

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Samson and Delilah is a 1630 painting by Anthony van Dyck. Like his 1620 version of the subject, it is in the style of his former master Peter Paul Rubens. Unlike Rubens, however, van Dyck shows Delilah seemingly appalled at her own betrayal of Samson and regretting her act of treason, whereas Rubens showed him as a captive and her as an unscrupulous temptress.

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Jupiter and Antiope is a series of two similar oil-on-canvas paintings by the late Baroque Flemish painter Anthony van Dyck, from c. One painting is in the collection of the Museum of Fine Arts, Ghent; the other in the Wallraf-Richartz Museum, Cologne.

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The Vision of the Blessed Hermann Joseph, or The Mystical Engagement of the Blessed Hermann Joseph to the Virgin Mary, is a 1629 to 1630 painting by the Flemish Baroque painter Anthony van Dyck. The painting depicts Hermann Joseph (c. 1150 to 1241), a Premonstratensian canon and priest from the Cologne region.

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The Coronation of Saint Rosalia or Madonna and Child with Saints Rosalia, Peter and Paul is an oil on canvas painting made by Anthony van Dyck in 1629. It and the compositionally similar The Vision of the Blessed Hermann Joseph (1630) were both painted for the chapel of the Fraternity of the senior bachelors (Sodaliteit van de Bejaerde Jongmans in Flemish) in Antwerp's Jesuit church, then named the Saint Ignatius Church but later renamed the St. Charles Borromeo Church.

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Portrait of Mary Hill, Lady Killgrew is a 1638 Baroque portrait by the Flemish artist Anthony van Dyck. The portrait is twinned with another of the Lady's husband, William Killigrew. Mary Hill, from Honiley, Warwickshire was the wife of Sir William Killigrew, a courtier to King Charles I and later a noted playwright.

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Sir William Killigrew is a 1638 Baroque portrait of Sir William Killigrew (1606 to 1695) by the Flemish artist Anthony van Dyck. The portrait is twinned with another of his wife, Mary Hill. The portrait is dated 1638, a time when Sir William Killigrew was involved with partners in an attempt to drain the Lincolnshire fens, an immensely expensive undertaking which caused the family great economic distress, but which did not prevent their commissioning a set of husband and wife portraits.

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The Portrait of Lady Shirley is a 1622 painting by Sir Anthony van Dyck, a Flemish Baroque artist. It is a portrait of Teresa Sampsonia (1589 to 1668), a Circassian noblewoman of the Safavid Empire of Iran. She was the wife of Elizabethan English adventurer Robert Shirley, whom she accompanied on his travels and embassies across Europe in the name of the Safavid King (Shah) Abbas the Great (r.

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Self-portrait with Sir Endymion Porter is a self-portrait by Anthony van Dyck, showing him with his patron Sir Endymion Porter. The painting was produced in 1635 and measures 119 by 127 centimetres (47 in × 50 in). It is now in the Museo del Prado in Madrid, Spain.