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William HogarthPublic domain

A Scene from The Beggar's Opera

William Hogarth

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William Hogarth

English · 1697–1764

French Realism

William Hogarth was an English painter, engraver, satirist, cartoonist and writer. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series A Harlot's Progress, A Rake's Progress and Marriage A-la-Mode. Familiarity with his work is so widespread that satirical political illustrations in this style are often referred to as "Hogarthian".

Independent artist guide by Momentable. Biography from Wikipedia; artworks credited to the museums that hold them.

A Scene from The Beggar's OperaLIVENow streaming · A Scene from The Beggar's Opera
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works in the archive
64works in the archive
life
1697–1764life
movement
French Realismmovement

The work

A selection of 6 works, free to stream.

A Scene from The Beggar's Opera

William Hogarth

National Gallery of Art

Before and After
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Before and After

William Hogarth · 1731

Tate Britain

Beer Street and Gin Lane
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Beer Street and Gin Lane

William Hogarth · 1751

Victoria and Albert Museum

The Four Stages of Cruelty
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The Four Stages of Cruelty

William Hogarth

Victoria and Albert Museum

Marriage à-la-mode
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Marriage à-la-mode

William Hogarth · 1743

National Gallery

The Graham Children
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The Graham Children

William Hogarth · 1742

National Gallery

Works worth knowing

What William Hogarth made, and why each one is worth looking at.

A Scene from The Beggar's Opera

William Hogarth

National Gallery of Art

William Hogarth (; 10 November 1697, 26 October 1764) was an English painter, engraver, satirist, cartoonist and writer. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series A Harlot's Progress, A Rake's Progress and Marriage A-la-Mode. Familiarity with his work is so widespread that satirical political illustrations in this style are often referred to as "Hogarthian".

Before and After
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Before and After

William Hogarth · 1731

Tate Britain

Before and After is a pair of comic paintings by British painter William Hogarth. He made two painted versions in 1730–1731. The first version showed an exterior scene in a wooded glade, based on contemporary French pastoral fête galante, while a second version moved the scene indoors.

Beer Street and Gin Lane
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Beer Street and Gin Lane

William Hogarth · 1751

Victoria and Albert Museum

Beer Street and Gin Lane are two prints issued in 1751 by English artist William Hogarth in support of what would become the Gin Act. Designed to be viewed alongside each other, they depict the evils of the consumption of gin (then a generic term for grain-based distilled spirits) as a contrast to the merits of drinking beer. At almost the same time and on the same subject, Hogarth's friend Henry Fielding published An Inquiry into the Late Increase in Robbers.

The Four Stages of Cruelty
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The Four Stages of Cruelty

William Hogarth

Victoria and Albert Museum

The Four Stages of Cruelty is a series of four printed engravings published by English artist William Hogarth in 1751. Each print depicts a different stage in the life of the fictional Tom Nero. Beginning with the torture of a dog as a child in the First stage of cruelty, Nero progresses to beating his horse as a man in the Second stage of cruelty, and then to robbery, seduction, and murder in Cruelty in perfection.

Marriage à-la-mode
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Marriage à-la-mode

William Hogarth · 1743

National Gallery

Marriage A-la-Mode is a series of six pictures painted by William Hogarth between 1743 and 1745, intended as a pointed skewering of 18th-century society. They show the disastrous results of an ill-considered marriage for money or social status, and satirize patronage and aesthetics. The pictures are held in the National Gallery in London.

The Graham Children
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The Graham Children

William Hogarth · 1742

National Gallery

The Graham Children is an oil painting completed by William Hogarth in 1742. It is a group portrait depicting the four children of Daniel Graham, apothecary to King George II. The youngest child had died by the time the painting was completed.

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Independent guide by Momentable · biography from Wikipedia · artworks are in the public domain and credited to the museum that holds them