Antonio del Pollaiuolo · 1475
Republic of Florence · 1429–1498
Antonio del Pollaiuolo, also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiuolo (also spelled Pollaiolo), was an Italian Renaissance painter, sculptor, engraver, and goldsmith, who made important works in all these media, as well as designing works in others, for example vestments, metal embroidery being a medium he worked in at the start of his career. His most characteristic works in his main media show largely naked male figures in complicated poses of violent action, drawing from classical examples and often centred on a heroic Hercules. He, or possibly his brother, was also an innovative painter of wide landscape backgrounds, perhaps having learnt from Early Netherlandish painting. His two papal tombs were the only monuments to survive the demolition of Old St Peter's in the next century and be reconstructed in the present St Peter's Basilica. He very often worked in collaboration with his younger brother Piero del Pollaiuolo (c.
Independent artist guide by Momentable. Biography from Wikipedia; artworks credited to the museums that hold them.
LIVENow streaming · Portrait of a LadyA selection of 6 works, free to stream.
Portrait of a Lady
Antonio del Pollaiuolo · 1475
Uffizi Gallery
Heracles and Antaeus
Antonio del Pollaiuolo · 1500
Uffizi Gallery
Cardinal of Portugal's Altarpiece
Antonio del Pollaiuolo · 1467
Uffizi Gallery
Battle of the Nudes
Antonio del Pollaiuolo · 1470
Silver Cross of the Baptistery of Saint John
Antonio del Pollaiuolo · 1457
Hercules and the Hydra
Antonio del Pollaiuolo · 1475
Uffizi Gallery
5 of Antonio del Pollaiuolo's works, and what makes each one worth a look.
Portrait of a Lady
Antonio del Pollaiuolo · 1475
Uffizi Gallery
Portrait of a Woman is a c.1475 tempera and oil on panel painting by Antonio or Piero del Pollaiuolo. It has been in the Uffizi in Florence since 1861. Since 1861 it has been misattributed to Piero della Francesca, a young Leonardo da Vinci and Cosimo Rosselli.
Heracles and Antaeus
Antonio del Pollaiuolo · 1500
Uffizi Gallery
Hercules slaying Antaeus, c. 1460, is a painting by the Florentine artist Antonio del Pollaiuolo. It is small at 6 x 3 1/2 inches, painted in egg tempera on a panel of wood.
Cardinal of Portugal's Altarpiece
Antonio del Pollaiuolo · 1467
Uffizi Gallery
The Cardinal of Portugal's Altarpiece, or the Altarpiece for the Cardinal of Portugal's Chapel, is a painting of c. 1466 in tempera and oil on panel by one or both of the brothers Antonio and Piero del Pollaiuolo. It was painted for the altar in the Cardinal of Portugal's Chapel, a funerary chapel in the church of San Miniato al Monte in Florence, built for the prince and cardinal James of Portugal, who died in exile in Florence in 1459 at the age of 26.
Battle of the Nudes
Antonio del Pollaiuolo · 1470
The Battle of the Nudes or Battle of the Naked Men, probably dating from 1465 to 1475, is an engraving by the Florentine goldsmith and sculptor Antonio del Pollaiuolo which is one of the most significant old master prints of the Italian Renaissance. The engraving is large at 42.4 × 60.9 cm, and depicts five men wearing headbands and five men without, fighting in pairs with weapons in front of a dense background of vegetation. All the figures are posed in different strained and athletic positions, and the print is advanced for the period in this respect.
Hercules and the Hydra
Antonio del Pollaiuolo · 1475
Uffizi Gallery
Hercules and the Hydra is a c. 1475 tempera grassa-on-panel painting by Antonio del Pollaiuolo, forming a pair with the same artist's Hercules Slaying Antaeus. Both works are now in the Galleria degli Uffizi in Florence.
The museums that hold it, and their visitor guides.
Artists held by the same museums.

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View on MomentableIndependent guide by Momentable · biography from Wikipedia · artworks are in the public domain and credited to the museum that holds them