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Artemisia GentileschiPublic domain

Saint Lucy

Artemisia Gentileschi · 1642

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Artemisia Gentileschi

Papal States · 1593–1653

Artemisia Lomi Gentileschi was an Italian Baroque painter. Gentileschi is considered among the most accomplished 17th-century artists, initially working in the style of Caravaggio. She was producing professional work by the age of 15. In an era when women had few opportunities to pursue artistic training or work as professional artists, Gentileschi was the first woman to become a member of the Accademia di Arte del Disegno in Florence and she had an international clientele. Gentileschi worked as an expatriate painter in the court of Charles I of England from 1638 to 1642, but she is thought to have fled the country in the early phases of the English Civil War.

Independent artist guide by Momentable. Biography from Wikipedia; artworks credited to the museums that hold them.

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The work

A selection of 9 works, free to stream.

Saint Lucy
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Saint Lucy

Artemisia Gentileschi · 1642

Museo Soumaya

Mary Magdalene as Melancholy
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Mary Magdalene as Melancholy

Artemisia Gentileschi · 1620

Museo Soumaya

Conversion of the Magdalene
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Conversion of the Magdalene

Artemisia Gentileschi · 1620

Palazzo Pitti

Saint Catherine of Alexandria
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Saint Catherine of Alexandria

Artemisia Gentileschi · 1615

Uffizi Gallery

Judith Beheading Holofernes
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Judith Beheading Holofernes

Artemisia Gentileschi · 1620

Uffizi Gallery

Saint Apollonia
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Saint Apollonia

Artemisia Gentileschi · 1642

Museo Soumaya

Judith and her Maidservant with the Head of Holofernes
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Judith and her Maidservant with the Head of Holofernes

Artemisia Gentileschi · 1639

National Museum of Art, Architecture and Design

Judith and Her Maidservant
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Judith and Her Maidservant

Artemisia Gentileschi · 1610

Palazzo Pitti

Lot and his Daughters
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Lot and his Daughters

Artemisia Gentileschi · 1630

Toledo Museum of Art

Works worth knowing

8 of Artemisia Gentileschi's works, and what makes each one worth a look.

Mary Magdalene as Melancholy
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Mary Magdalene as Melancholy

Artemisia Gentileschi · 1620

Museo Soumaya

Mary Magdalene as Melancholy is a 1622 to 1625 painting by Artemisia Gentileschi, showing Mary Magdalene as a personification of Melancholia. It is now in the Museo Soumaya in Mexico City. It is an autograph copy of Penitent Magdalene by the artist now in the Treasury of Seville Cathedral, although X-ray examination has shown that the fabric on the saint's shoulder is wider in the Seville version and was probably added later to fit with the canons of the Catholic Church.

Conversion of the Magdalene
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Conversion of the Magdalene

Artemisia Gentileschi · 1620

Palazzo Pitti

Penitent Magdalene is a 1616 to 1618 painting by the Italian baroque artist Artemisia Gentileschi. This painting hangs in the Pitti Palace in Florence. The subject is the biblical figure Mary Magdalene, but the painting references another biblical woman, Mary, the sister of Lazarus.

Saint Catherine of Alexandria
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Saint Catherine of Alexandria

Artemisia Gentileschi · 1615

Uffizi Gallery

Saint Catherine of Alexandria is a painting by the Italian Baroque artist Artemisia Gentileschi. It is in the collection of the Uffizi, Florence. Gentileschi likely used the same cartoon or preparatory drawing to create both this painting and the Self-Portrait as Saint Catherine of Alexandria (1615 to 1617), now in the National Gallery, London.

Judith Beheading Holofernes
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Judith Beheading Holofernes

Artemisia Gentileschi · 1620

Uffizi Gallery

Judith Beheading Holofernes c. 1620, now at the Uffizi Gallery in Florence, is the renowned painting by Baroque artist Artemisia Gentileschi depicting the assassination of Holofernes from the deuterocanonical Book of Judith. When compared to her earlier interpretation from Naples c. 1612, there are subtle but marked improvements to the composition and detailed elements of the work. These differences display the skill of a cultivated Baroque painter, with the adept use of chiaroscuro and realism to express the violent tension between Judith, Abra, and the dying Holofernes.

Saint Apollonia
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Saint Apollonia

Artemisia Gentileschi · 1642

Museo Soumaya

Saint Apollonia is a painting attributed to the Italian baroque painter Artemisia Gentileschi executed between 1642 and 1644. It is part of the collection of the Museo Soumaya in Mexico City, Mexico. The painting depicts Saint Apollonia, a martyr who died in Alexandria during an uprising against Christians in A.D.

Judith and her Maidservant with the Head of Holofernes
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Judith and her Maidservant with the Head of Holofernes

Artemisia Gentileschi · 1639

National Museum of Art, Architecture and Design

Judith and her Maidservant with the Head of Holofernes is a painting by the Italian artist Artemisia Gentileschi, created in 1639 to 1640. It was one of many paintings by Gentileschi that treats the theme of Judith, who beheads the Assyrian general Holofernes, who was planning to destroy Judith's home city of Bethulia. The painting has been in Oslo, in the collection of the National Museum of Art, Architecture and Design, since 2022.

Judith and Her Maidservant
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Judith and Her Maidservant

Artemisia Gentileschi · 1610

Palazzo Pitti

Judith and her Maidservant is a c. 1615 painting by the Italian baroque artist Artemisia Gentileschi. The painting depicts Judith and her maidservant leaving the scene where they have just beheaded general Holofernes, whose head is in the basket carried by the maidservant.

Lot and his Daughters
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Lot and his Daughters

Artemisia Gentileschi · 1630

Toledo Museum of Art

Lot and His Daughters is a 1636 to 1638 painting by Artemisia Gentileschi, now in the Toledo Museum of Art. The story, recounted in the Book of Genesis, concerns the family of Lot who have fled the destroyed city of Sodom (visible burning in the background of the painting). Lot's wife disobeyed instructions not to look around and was turned into a pillar of salt, her form is just visible in the left background of the painting.

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Independent guide by Momentable · biography from Wikipedia · artworks are in the public domain and credited to the museum that holds them