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J. M. W. TurnerPublic domain

The Battle of Trafalgar (1806)

J. M. W. Turner · 1806

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J. M. W. Turner

Kingdom of Great Britain · 1775–1851

Joseph Mallord William Turner, known in his time as William Turner, was an English Romantic painter and elevated the status of landscape painting. Turner is widely regarded as one of the greatest and most influential British painters, as well as a precursor to Impressionism. Turner started his career as a watercolourist, achieved fame and financial success as an oil painter and was also an expert printmaker. His later paintings challenged classicisist artistic conventions and were rejected by critics but are considered today his most important works. Their expressionistic renditions of light and atmosphere inspired the early impressionists Monet and Pissarro when they saw them in London in 1870–1920 years after Turner's death.

Independent artist guide by Momentable. Biography from Wikipedia; artworks credited to the museums that hold them.

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works in the archive
29works in the archive
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1775–1851life
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The work

A selection of 27 works, free to stream.

The Battle of Trafalgar (1806)
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The Battle of Trafalgar (1806)

J. M. W. Turner · 1806

Tate Britain

Sketch for "Nantes from the Ile Feydeau."
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Sketch for "Nantes from the Ile Feydeau."

J. M. W. Turner · 1826

Tate Britain

The Slave Ship
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The Slave Ship

J. M. W. Turner · 1840

Museum of Fine Arts, Boston

The Piazzetta, Venice
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The Piazzetta, Venice

J. M. W. Turner · 1835

Scottish National Gallery

Norham Castle, Sunrise
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Norham Castle, Sunrise

J. M. W. Turner · 1845

Tate Britain

Dido building Carthage
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Dido building Carthage

J. M. W. Turner · 1815

National Gallery

Phryne Going to the Public Baths as Venus: Demosthenes Taunted by Aeschines
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Phryne Going to the Public Baths as Venus: Demosthenes Taunted by Aeschines

J. M. W. Turner · 1838

Tate Britain

Sea View
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Sea View

J. M. W. Turner · 1826

Scottish National Gallery

Harbour View
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Harbour View

J. M. W. Turner · 1826

Scottish National Gallery

The Grand Canal: Scene - A Street in Venice
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The Grand Canal: Scene - A Street in Venice

J. M. W. Turner · 1837

Huntington Library, Art Museum and Botanical Gardens

Buttermere Lake, with Park of Cromackwater, Cumberland, a Shower
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Buttermere Lake, with Park of Cromackwater, Cumberland, a Shower

J. M. W. Turner · 1797

Tate Britain

Citadel of St.-Esprit, with the Louis and Beck Bastions
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Citadel of St.-Esprit, with the Louis and Beck Bastions

J. M. W. Turner · 1839

Tate Britain

Saint-Maurice bridge
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Saint-Maurice bridge

J. M. W. Turner · 1820

Tate Britain

The Harbour of Brest The Quayside and Chateau
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The Harbour of Brest The Quayside and Chateau

J. M. W. Turner · 1826

Tate Britain

Study of the Venus de’ Medici
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Study of the Venus de’ Medici

J. M. W. Turner · 1792

Tate Britain

Luxembourg from the Alzette Valley to the North
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Luxembourg from the Alzette Valley to the North

J. M. W. Turner · 1839

Tate Britain

Study of the Fighting Gladiator
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Study of the Fighting Gladiator

J. M. W. Turner · 1793

Tate Britain

The Head and Torso of the Apollo Belvedere
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The Head and Torso of the Apollo Belvedere

J. M. W. Turner · 1792

Tate Britain

Rome from Monte Mario
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Rome from Monte Mario

J. M. W. Turner · 1820

Scottish National Gallery

Neapolitan Fisher Girls Surprised Bathing by Moonlight
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Neapolitan Fisher Girls Surprised Bathing by Moonlight

J. M. W. Turner · 1840

Huntington Library, Art Museum and Botanical Gardens

Rain, Steam and Speed – The Great Western Railway
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Rain, Steam and Speed – The Great Western Railway

J. M. W. Turner · 1843

National Gallery

The Campo Santo
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The Campo Santo

J. M. W. Turner · 1842

Toledo Museum of Art

The Fighting Temeraire
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The Fighting Temeraire

J. M. W. Turner · 1839

National Gallery

Rome, from the Vatican. Raffaelle, Accompanied by La Fornarina, Preparing his Pictures for the Decoration of the Loggia
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Rome, from the Vatican. Raffaelle, Accompanied by La Fornarina, Preparing his Pictures for the Decoration of the Loggia

J. M. W. Turner · 1820

Tate Britain

Peace – Burial at Sea
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Peace – Burial at Sea

J. M. W. Turner · 1842

Tate Britain

A distant view of Petworth House across the lake in Petworth Park
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A distant view of Petworth House across the lake in Petworth Park

J. M. W. Turner

Tate Britain

The Scarlet Sunset
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The Scarlet Sunset

J. M. W. Turner

Tate Britain

Works worth knowing

4 of J. M. W. Turner's works, and what makes each one worth a look.

The Slave Ship
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The Slave Ship

J. M. W. Turner · 1840

Museum of Fine Arts, Boston

The Slave Ship, originally titled Slavers Throwing overboard the Dead and Dying, Typhon coming on, is a painting by the British artist J. Turner, first exhibited at The Royal Academy of Arts in 1840. Measuring 35+3⁄4 in × 48+1⁄4 in (91 cm × 123 cm) in oil on canvas, it is now on display at the Museum of Fine Arts, Boston.

Norham Castle, Sunrise
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Norham Castle, Sunrise

J. M. W. Turner · 1845

Tate Britain

Norham Castle, Sunrise is an oil-on-canvas painting by English painter J. Turner, created around 1845. The painting depicts Norham Castle, overlooking the River Tweed, the border between England and Scotland.

Dido building Carthage
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Dido building Carthage

J. M. W. Turner · 1815

National Gallery

Dido building Carthage, or The Rise of the Carthaginian Empire is an oil on canvas painting by J. The painting is one of Turner's most important works, greatly influenced by the luminous classical landscapes of Claude Lorrain. Turner described it as his chef d'oeuvre.

Phryne Going to the Public Baths as Venus: Demosthenes Taunted by Aeschines
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Phryne Going to the Public Baths as Venus: Demosthenes Taunted by Aeschines

J. M. W. Turner · 1838

Tate Britain

Phryne Going to the Public Baths as Venus, Demosthenes Taunted by Aeschines is an 1838 history painting by the British artist J. It depicts a scene in Ancient Athens in the 4th century BC, combining two different legendary stories. The celebrated courtesan Phryne is going to the public baths in a public parade dressed as Venus.

How J. M. W. Turner worked

From the record of their own practice.

Turner's talent was recognised early in his life. Financial independence allowed Turner to innovate freely; his mature work is characterised by a chromatic palette and broadly applied atmospheric washes of paint. According to David Piper's The Illustrated History of Art, his later pictures were called "fantastic puzzles". Turner was recognised as an artistic genius; the English art critic John Ruskin described him as the artist who could most "stirringly and truthfully measure the moods of Nature". Turner's imagination was sparked by shipwrecks, fires (including the burning of Parliament in 1834, an event which Turner witnessed first-hand, and transcribed in a series of watercolour sketches), and natural phenomena such as sunlight, storm, rain, and fog.

Where the work hangs

The museums that hold it, and their visitor guides.

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Independent guide by Momentable · biography from Wikipedia · artworks are in the public domain and credited to the museum that holds them