Johannes Vermeer · 1669
Dutch Republic · 1632–1675
Johannes Vermeer was a Dutch painter who specialized in domestic interior scenes of middle-class life. He is considered one of the greatest painters of the Dutch Golden Age. During his lifetime, he was a moderately successful provincial genre painter, recognized in Delft and The Hague. He produced relatively few paintings, primarily earning his living as an art dealer. He was not wealthy; at his death, his wife was left in debt.
Independent artist guide by Momentable. Biography from Wikipedia; artworks credited to the museums that hold them.
LIVENow streaming · The LacemakerA selection of 20 works, free to stream.
The Lacemaker
Johannes Vermeer · 1669
Louvre
A Young Woman Standing at a Virginal
Johannes Vermeer · 1670
National Gallery
Lady Writing a Letter with her Maid
Johannes Vermeer · 1670
National Gallery of Ireland
The Little Street
Johannes Vermeer · 1658
Rijksmuseum
The Milkmaid
Johannes Vermeer · 1660
Rijksmuseum
Woman in Blue Reading a Letter
Johannes Vermeer · 1664
Rijksmuseum
The Art of Painting
Johannes Vermeer · 1667
Kunsthistorisches Museum
The Astronomer
Johannes Vermeer · c. 1668
Louvre
A Young Woman seated at a Virginal
Johannes Vermeer · 1670
National Gallery
Christ in the House of Martha and Mary
Johannes Vermeer · 1650
Scottish National Gallery
View of Delft
Johannes Vermeer · 1661
Woman Holding a Balance
Johannes Vermeer · 1665
Girl Reading a Letter at an Open Window
Johannes Vermeer · 1658
Girl with a Pearl Earring
Johannes Vermeer · 1665
The Concert
Johannes Vermeer · 1663
The Music Lesson
Johannes Vermeer · 1662
Officer and Laughing Girl
Johannes Vermeer · 1658
The Procuress
Johannes Vermeer · 1656
Woman with a Water Jug
Johannes Vermeer · 1660
The Girl with the Wine Glass
Johannes Vermeer · 1650
9 of Johannes Vermeer's works, and what makes each one worth a look.
The Lacemaker
Johannes Vermeer · 1669
Louvre
The Lacemaker is a painting by the Dutch artist Johannes Vermeer (1632 to 1675), completed around 1669 to 1670 and held in the Louvre, Paris. The work shows a young woman wearing a yellow bodice, holding up a pair of bobbins in her left hand as she carefully places a pin in the pillow on which she is making her bobbin lace. At 24.5 cm × 21 cm (9.6 in × 8.3 in), the work is the smallest of Vermeer's paintings, seen by one author as one of his most abstract and unusual.
A Young Woman Standing at a Virginal
Johannes Vermeer · 1670
National Gallery
Lady Standing at a Virginal is a genre painting created by the Dutch artist Johannes Vermeer in about 1670 to 1672, now in the National Gallery, London. The oil painting depicts a richly dressed woman playing a virginal in a home with a tiled floor, paintings on the wall and some of the locally manufactured Delftware blue and white tiles of a type that appear in other Vermeer works. The identities of the paintings on the wall are not certain, according to the National Gallery, but the landscape on the left may be by either Jan Wijnants or Allart van Everdingen.
Lady Writing a Letter with her Maid
Johannes Vermeer · 1670
National Gallery of Ireland
Lady Writing a Letter with her Maid is a painting by the Dutch artist Johannes Vermeer, completed in 1670 to 1671 and held in the National Gallery of Ireland, in Dublin, Ireland. The painting shows a standing woman seemingly acting as a messenger between the seated younger lady and her unseen lover. It was famously stolen on 27 April 1974 during a raid on Russborough House, Ireland, and again in 1986 by a gang led by the Dublin crime boss Martin Cahill, although in both cases it was recovered.
The Little Street
Johannes Vermeer · 1658
Rijksmuseum
The Little Street (Het Straatje) is a painting by the Dutch painter Johannes Vermeer, executed c. It is exhibited at the Rijksmuseum of Amsterdam, and signed, below the window in the lower left-hand corner, "I V MEER". The painting is made in oil on canvas, and it is a relatively small painting, being 54.3 centimetres (21.4 in) high by 44.0 centimetres (17.3 in) wide.
Woman in Blue Reading a Letter
Johannes Vermeer · 1664
Rijksmuseum
Woman Reading a Letter is a painting by the Dutch Golden Age painter Johannes Vermeer, produced around 1663. It has been part of the collection of the City of Amsterdam since the Van der Hoop bequest in 1854, and in the Rijksmuseum in Amsterdam since it opened in 1885, the first Vermeer it acquired. The central element of the painting is a woman in blue standing in front of a window (not depicted) reading a letter.
The Art of Painting
Johannes Vermeer · 1667
Kunsthistorisches Museum
The Art of Painting, also known as The Allegory of Painting, or Painter in his Studio, is a 17th-century oil on canvas painting by Dutch painter Johannes Vermeer. It is owned by the Austrian Republic and is on display in the Kunsthistorisches Museum in Vienna. Many art historians think that it is an allegory of painting, hence the alternative title of the painting.
The Astronomer
Johannes Vermeer · c. 1668
Louvre
The Astronomer is an oil-on-canvas painting completed in 1668 by Johannes Vermeer, a painter of the Dutch Golden Age. Measuring 51 cm × 45 cm (20 in × 18 in), The Astronomer is now in the collection of the Louvre in Paris. Portrayals of scientists were a favourite topic in 17th-century Dutch painting and Vermeer's oeuvre includes both this astronomer and the slightly later The Geographer.
A Young Woman seated at a Virginal
Johannes Vermeer · 1670
National Gallery
Lady Seated at a Virginal, also known as Young Woman Seated at a Virginal, is a genre painting created by the Dutch Golden Age painter Johannes Vermeer in about 1670 to 1672 and now in the National Gallery, London. Another painting, probably also by Johannes Vermeer and known as A Young Woman Seated at the Virginals, also shows a young woman seated at a virginal. That painting and the Lady Seated at a Virginal are quite separate works.
From the record of their own practice.
Vermeer may have first executed his paintings tonally like most painters of his time, using either monochrome shades of grey ("grisaille") or a limited palette of browns and greys ("dead coloring"), over which he would apply more saturated colors (reds, yellows, and blues) in the form of transparent glazes. No drawings have been positively attributed to Vermeer, and his paintings offer few clues to preparatory methods. There is no other 17th-century artist who employed the exorbitantly expensive pigment ultramarine (derived from natural lapis lazuli) either so lavishly or so early in his career. Vermeer used this pigment in not just elements that are naturally of this colour; he also used it early in a work, beneath subsequent earth colours such as umber and ochre, to subtly tint their shade. This working method most probably was inspired by Vermeer's understanding of Leonardo's observations that the surface of every object partakes of the colour of the adjacent object.
The museums that hold it, and their visitor guides.
Artists held by the same museums.

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View on MomentableIndependent guide by Momentable · biography from Wikipedia · artworks are in the public domain and credited to the museum that holds them